next levon vincent bomb

next prime time techno ep on adam beyers s drumcode

after releases on karlovak, truesoul, hot creations, desolat, studio barnhus etc ... mikael nordgren from stockholm sweden with his next vinyl on drumcode

next output from the ltd, w/lbl label owner on their sub label

mint tea proudly presents dansolos jungle. a deliciously velvet blend of tracks sourced from the uk and georgia, nurtured and crafted by producers wd41, toke and el choop.

as we head into dansolso s jungle we first encounter a slurry of dub-techno, infused with wd41 s love for tape these giant sounds represent his debut on the label. next we encounter toke, based in tbilisi he has mastered the subtitles of the dance floor developing his own unique flavour of a classic style, for mt004 he supplies perfect twilight accompaniments. el choop based in the uk has been honing his craft relentlessly since his introduction to the scene, skeleton crew reflecting this with its polished hard hitting style sure to satisfy many a dance floor.

next 6 track joy orbision steppa

skeleton recordings are pleased to announce the next release by the german duo of dan schwerdel & patrick krause, aka acid lab & scale, making their debut on the label. bringing three seriously heavy tracks which show their diversity and tight production skills. all with that slight dark, eerie feel that you would expect to find released on skeleton.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

next writtentozero berlin techno release includes a remix of tag & wandrach on top of three massive techno experiences composed by the labelheads mm:ms.

philipp boss is up for the next sturo intallment. fine house and techno leaning tracks straight from nusszeil

alltime classic !

the accidental jnr label has just passed it s second birthday mark... so at 2 years and 15 releases in it only seems appropriate for the next 12- release to come from the artist that kicked the label off and has made it his home for the past 2 years... bambooman, with a remix from label boss matthew herbert himself on the b-side. the track can really speak for itself as this one is something special for the dancefloor, the only difficulty is choosing which version to play... dj support: gilles peterson, andrew thompson (huntley s & palmers), laurent garnier, simeon mobile disco, eclair fifi, bake, luke solomon, eliphino, severino panzetta, red axes, andrew weatherall, dixon...

(12inch lp vinyl / 33 rpm / incl. download) music mania and indica dubs is proud to present the next release in their mania dub series. following multiple classic re-issues, we now bring you a long awaited freshly produced dubplate album on a 12inch by uk dub innovators, alpha & omega: dubplate selection vol. 3.

the elusive producer nortasun hasn’t released a record since his debut one through saft back in 2016. after two years, it’s time for a follow up which is fittingly named “two”. the track titles also resume in a fashionable manner with the opening track being titled: “untitled 3”. on this track, nortasun introduces a firm rhythm that is supported by the impossibly beautiful strings that serve as the tracks key element and appear throughout. next up is the antonzap remix. antonzap doesn’t do the stereotypical remix take on the original. his version is dub laden, otherworldly, and only implements miniscule pieces from the original take. with just under 7 minutes, the remix version is a true sonic voyage.
on the b-side, nortasun takes a more dubbed out approach to modern day house music. “untitled 4” is a work of precision. the carefully crafted hats and dub elements sizzle throughout the entire track and help the track morph into a stunning piece of dance floor music around the four minute mark. nortasun cleverly introduces a thumping bass that changes up the mood for the entire work.

mantra makes an entry to finnish proform series with his raw and uncompromised four track acid ep called “the abyss”. after releases on bunker records, polybius trax, solar one music and abstract acid under the mantra alias craig stainton delivers four tracks of jackin pure acid techno madness in the veins of true underground. starting with “next culture” is a good introduction to pumping beats and a moaning 303 while “beat methods” takes a rougher and tougher angle to acid. just imagine yourself in a warehouse party in the morning jammin to some acid. on the b-side “the abyss” leads us to the deep end of the 303 or even to the bottom of the acid sea. “singularity” ends this package with great 303 lines definitely burning up the house! a limited and numbered edition of 200, after that it’s gone, no represses, no digital, so you know what to do!

next cobra killer release

three heavyweights are featured on the next installment of the truncate remix series. heiko laux revisits the truncate classic dial with his deep, stripped down rendition. ray kajioka remits his interpretation of wave 1 with his deep, melodic touch. lastly, steve rachmad aka sterac delivers his touch to two remixes of the track 30 - one stripped version as sterac alongside one electro version as sterac electronics. techno tools for everyone.

the next installment in cold diamond & mink’s soul investigations introduces a three part harmony group from california. “my my my baby” is a smoking hot group harmony groover that should drop a few jaws at your next dj set. thee baby cuffs was born out of love for soul music and chicano culture. their first 45 “where did our pride go”, came out in 2017 on the raza del soul label, covering an unsung early 70’s larry saunders production. “my my my baby” continues on the same lane of midtempo soul over funky drums and soulful horn lines. the lyric is your middle of the road love song material, but the group harmony lifts it right off the ground like it’s meant to happen in this kind of music. get a few copies and rock the instrumental on the b-side before dropping the vocal, if you feel like it. soul music that’s this potent is better enjoyed in excess.

following move d’s -kunststoff“ reissue, damiano von erckert s „recklinghausen ep- is the next 2018 release on ava. this record contains nothing more then 4 tracks. handmade vinyl cover as usual!

phonogramme, the house subdivision of parent label and integral parisian record shop syncrophone dedicates itself directly to the french music scene, with previous releases from the likes of professor inc, john jastszebski, aleqs notal and a handful of other local heads. phonogramme continues to keep things close-to-home through the labels next edition presented by gibs, who s most notably known for works on his own imprint, an.art records – a family run label with music shared by himself and his two brothers. find an oasis kicks off the release with rolling organic percussion before progressing elegantly into layered emotive lead synths and mellow bass stabs. jarkarta is a subdued deeper house cut, filled with an uplifting, undulating melody and raw lo-fi elements collectively creating a luscious calming effect. last up, der germain offers up a fluid, groove filled number balanced with charming, jazzy flutters and tender keys providing a warm, breezy atmosphere to the end the release.

stocker s revenge takes place as a short story inspired in a vampire theme where the author transmits his homeland legacy to a contemporary musical field, sotries and legends of chaste lineage that have inspired musicians and artist for centuries with concerns for the tenebrous chronicles , making different recreations of it with cruelty and vileness as its main element. orlock 101 is a new talent in european scene which inspires his artistic framework in the myth created by bram stocker, this transilvanian artist debuts as producer with the next soil records release.

the third release for planet euphorique comes from none other than d. tiffany herself, delivering four tracks of delicate yet driving, emotional anthems for prime-time dance floor bliss. feel u shows spacial finesse and rhythmic maturity, rumbling robotic basslines elevate the undeniable euphoria supplied by glowing pads and fleeting vocal earworms. whilst the ep is diverse in mood and colour, that undeniable d. tiff steeze is laced through from start to finish, resulting in a crucial record suitable for the club, after party or the next morning.

up next on phonicas main label we present harrison bdps life unlimited 12inch. over the past few years harry has burst onto the scene with a prolific run of releases for labels such as lost palms, piff and music is love, displaying a wide-ranging sonic palette whether it falls under classification as house, techno, electro, garage... or whatever else he turns his hand to! the 12inches lead track life unlimited starts off as a euphoric italo-flavoured piano-house banger before breaking down into a bleep-tastic middle and back again. it hits all the right spots and will no doubt tick all the boxes for djs looking for a sure-fire peak-time jam! on the b-side the music takes a deeper turn with the immaculately produced dub-techno of fish in the tank which is then followed by the stunning uk garage inspired its all good - this one gets seriously under your skin! its rare for a producer to nail such a variety of different styles on a single record, yet we feel this 12inch truly underlines harry’s versatility yet still displaying his signature sound. three very different tracks, all recognisably harrison bdp.

„spectral decay” is a collection of musical reflections about the paradoxical contemporary state of humankind, whereas its own technological, social, cultural and economical development seems to entrench the possible points of a structura downfall. the narrative of „spectral decay” starts with heavy, mesmerizing industrial vibes. due to the notable sound design techniques of japanese artist tetsumasa, his hefty piece „nex” evolves into a harsh but still amazingly cinematical music sculpture. subsequent mid-tempo composition „onzour shayatini” by meer dynamically follows the dark, experimental path of drone and noisy structures. violent accents smoothly lead to the deconstruction of drum & bass patterns and turn into strident 90s metal riffs. the track progressively penetrates obscure subterranean abysses and becomes a perfect introduction to the next theme by yuji kondo – „hades”. in greek mythology hades was the ancient god of the underground kingdoms, darkness, death and metals. therefore, kondo’s music piece turns into an infernal portrayal of the underworld where tenebrous layers of bass frequencies, raw textures and drexciyan sounds build up an enormous and lasting tension. side b begins with the track „anthropocene” produced by arboretum co-founder – mogano. the whole composition refers to the present geological epoch we live in, characterized by environmental pollutions, depletion of fossil fuels and accelerated urbaniza- tion of the world. it is a deeply conceptual soundscape of a powerful system, that incorporates both – the destructive forces of technology and the infinite energy of the whole universe, that interweave in a devilish dance of post-techno, breakbeat and dub tones. thereafter, ~raw in his piece „poly bios” pictures the interference of human structures in the nature. creating a mosaic from indus- trial and tribal, organic sounds, he tells a mystical story of fear, hope, escape and primeval instincts. the narration concludes with an atmospheric composition of nwrmntc – solo project of ana quiroga from experimental ambient duet lcc. „beyond” is a boundless, spectral reflection on collective human consciousness, where haunting vocals evoke a recon- dite, ineffable pain, leaving the listeners in a profoundly meditative state. laura polan&#769,ska

after a few years on hiatus, one electronica has gone all out in with a heavy debut 4 tracker from new member thought camera. the young belfast born producer who has been very busy in the studio putting together an arsenal of electronic weapons has also enjoyed an increase in popularity and profile in the local scene due to his hard work and commitment to the cause. with such a strong release about to drop in the next few weeks and with more unreleased material on its way this guy is worth keeping an eye on as a rising talent. without using too many bullshit analogies – this is release is simply dancefloor bliss and a djs dream that will be keep at the front of a record box for years to come and could be a favourite among various styles. the title track astral pilot comes in strong with spatial glitchy electronic chatter and tubular echoes that are pretty damn haunting. headspace comes in on a2 which is the antithesis of serenity and meditation that the name suggests. this acidic jack track is upbeat and laden with bass bleeding all over the place. flip it over and you have lifeforms on the b1 which is the most technical track on the release which ebbs and flows between solemn and sombre leaving you emotionally twisted yet intrigued this is one to look out for! obsession which aptly depicts this track a stalker in the night, haunting, imposing, friday 13th shit. not for the faint hearted.

strong deep detroit club house tracks. check voodoo the next release on psychostasia recordings (psy017) , is detroit artist, mr. brian neal. featured on a past split ep with dj and producer reggie dokes, we find this talented producer on his own. this ep entitled, introducing brian neal, presents four tracks of deep house and detroit techno. the first track called oooobaby was produced by mr. neal and co-produced by avalon kalin .

motorcity wine recordings returns in fine style with its second ep featuring a swashbuckling blend of house and jazz sounds from detroiters and their compatriots. rising live techno star haz mat leads this 12” with a house-tinged boogie funk cover of blue six’s “music & wine”, complete with vocoder and massive drums. kuumba reunion band slides through next with the afro-jazz number “3 fingered fist (jabbar)”, a cut loaded with hand drums and chunky saxophone solos for the jazzdancers and listeners alike. motorcity wine guest and london native aroop roy kicks off the flip with a dubbed out beatdown house joint, a brilliant midtempo track perfect for the dread moments of the night. last but certainly not least, the hughes/smith quintet finish the release with an uptempo jazz-funk piece, with generous amounts of fender rhodes and call-and-response melodies. only 500 vinyl pressed enjoy the soulful sounds of detroit.

next on perlon, highly respected bruno pronsato with a huge piece of vinyl ...

***
a knight on a horse,
riding a rocky path,
his dog next to him,
meets death on his way,
in the background a city.
***

herbert bodzins revival ii is the next exciting vinyl highlight on this young label. it features completely unreleased electronic music which was recorded between 1979 and 1982. check!

simbad teams up with south african vocalist brian temba, whose previous release together come join in dropped on hi:rise back in 2011. in it’s original form take my hand is a sublime, forward-looking deep and soulful house track based around a filtering symphonic string loop, low-slung groove and heart-felt vocal. simbad has created a very london-centric vibe but with a french touch and detroit sensibilities, drawing from house heroes such as parrish and bradock, joining the dots and creating a fresh masterpiece in the process. next up we have jimpster on the remix, picking up the bpm’s slightly and loading up on his trademark deep stabs, sub-bass and spacious fx adding just enough dance-floor bump whilst leaving the vocal placed firmly at the core. on the flip side we have two smbd zulu edits which replace the more spartan groove of the original with some driving afro percussion. the first version keeps the vocal intact, the second version goes balls deep into dub territory, closing out this amazing release with an instrumental pushing the strings and hypnotic groove front and centre

lithuanian based label sodai started its journey in 2016, making it a label still in it’s infancy but making a big impression. owned by artist gardens of god, who started the label to create his own ‘no limits’ plat-form for his experimental sounds and projects. while at the same time a platform to give other artists the chance to also have freedom with art and music. with releases from raxon, few nolder and third son under their belt, the label shows no sign of slowing down, next in line is italian producer alex schaufel (suara, diynamic) who is welcomed to the label with a his heavy hitting four track ep entitled ‘roots’.

a 1996 classic from the californian hardkiss camp.

new york city house / disco imprint. on a1: well being s remix of detroit jevantte s, mr. piano man is a slamming baseline loop driven groove. next up ari bald and martín miguel, of better listen records fame, bring a summer edit fit for a wbls barbecue. on the b side we have a special filtered out cut with a big low end from tilman. finally on b2, a track from higgins with filtered strings on top of raw house drums.

2lp , full sleeve, as always with hell yeah, the next release comes from an artist label boss marco fell utterly in love with before forming a close musical relationship. his name is calm, and this summer he releases his eighth studio album, by your side. it is an effortlessly evocative long player and magical ten track trip into soothing sonic waters, glistening harmonies and horizontal rhythms. calm is legendary japanese artist fukagawa kiyotaka, someone who has been making deep house, ambient and downtempo grooves since the late nighties, and always teasing spine tingling emotions out of his machines. his last album—2015 s from my window—cast a real spell on marco and encouraged him to reach out. the pair eventually hooked up in tokyo and found real musical kinship while playing records together.

divine situation are, greg belson is a veteran dj and one of the premiere collectors of soul music worldwide. he s known as the go to authoritarian for gospel soul music, is the compiler of the divine disco series on cultures of soul and presents his radio broadcast divine chord gospel show on la s dublab.com creative hub. and paulo fulci is a dj and producer out of bristol uk. his work as part of the situation edit crew has been released and supported as part of the underground for many years….he now spends his days slangin records, whilst honing his disco scalpel skills in the late twilight hours. following on from their incendiary slab of two sided gospel goodness born again & soul revival , the divine situation duo have crafted the next lot of bangin spiritualized dancefloor destroyers for your record box. here we have an ep catering for several sides to your night. the lead off cut is the flat out roof raiser the problem solver …..then it s boogified territory with brand new feelin , before they close out with the end of nighter, try love . once again, moton bringin the heavyweight platters that matter!

check b1 , played by marcel dettmann, amelie lens... the first of three samplers, comprised of selected tracks taken from spencer parker s new album, dance music out via his own label work them records. “there was no real concept behind the album, all i knew is that i wanted to do something honest. the tracks i make are the tracks i play in my sets and tracks i want people to dance to - that s where the title comes from.- - spencer parker. part one of the sampler opens with it was just a dream , a ghostly cauldron of glitches, bleeps and sound bites that locks you into a dazed state of hypnosis. next up, the oh hits with a taste of classic house, marrying emotive stabs, a tough kick and fizzing ride cymbals. on the b side, you re under my control now takes the sound industrial combining a kraftwerk-esque metronomic breath with rapid fire toms and a dynamic kick. absolutely raving closes out the first of parker s dance music samplers offering a rave leaning techno weapon that wouldn t be out of place in the hallowed grounds of berghain.

victor simonelli opens up the vaults once more to unlock groove committee s dirty games , the follow up to the seminal i want you to know . taking the blueprint from his timeless house classic, simonelli reworked the bassline for this 92 follow up whilst holding onto that sublimely simple yet powerful chord progression, one that never fails to put a smile on the face. add in a helping of swung hats and crunched up shakers and this is a classic by anyone s standards. the vocals - a charged up, evocative warning to a mistreating lover - fit the nyc garage house rhythm so perfectly and deliver a raw emotion to the track. next up the dubb mix kicks off with the accapella vocals laid bare in all their glory, before that piano progression lays the path for the full force of dirty games to make its impact. there s more space between the vocals in this dub mix, allowing simonelli s production prowess room to breathe. a surefire spine tingler from start to finish. on the b side, simonelli offers up his 1993 re-edit, extending, elongating and beefing up certain elements to captivate audiences all over again. closing out the e.p. is groove committee s 93 track i wana hold you produced in collaboration with glenn sweety g toby - it follows that same garage house shuffling rhythm, with soul-laden organs and paula brion s killer vocals. another much welcomed reissue of some of victor simonelli s most sought after tracks, remastered by the man himself for a new generation of listeners.

third release of studio mule’s new project with miyako koda aka dip in the pool. following the cover versions of ohnuki taeko’s carnaval & mariah’s shinzo no tobira, we made the new version of japanese pop ambient classic “face to face by yumi murata”. extended edit on a side is full of the respect for the original version and ambient version on b side is simply emotional. the first album of studio mule is coming in the beg of next year. stay tuned.

the first release by hamburg based label ohne kommerziellen wert delivers a diverse mix of four tracks by various artists. haiko nahm’s uplifting eos is a positively charged euphoric roller that stands in stark contrast to the dark and hypnotic stomping of ls’s kngbtdgsf. the b-side kicks off with the ravy trance-like sound of valura’s cool cassis, and it’s all topped off with lifka’s next-level acid bomb 1353.

as always, the return of ruede hagelstein is inevitable and with each return he ups the ante tenfold showcasing his ever growing prowess behind the studio door. it seems as if, with each ruede ep, the amount of elements utilized shrinks while at the same time the sound grows in power and dominance and that could not be better exemplified than here. consisting of two originals and a remix from the one and only martin buttrich, the ep is a gross display of well thought out, mature dance floor jewels. opening the short player is hagelsteins ‘dematerialize feat. justin evans where a sinister yet soothing vocal sets the tone for the entire track, laying the groundwork for a gorgeous bass drum and shimmers of distant percussion carry us into celestial spaces. ‘forward vision is up next and follows suit by relying on a brooding minimal groove to drive the shimmers of glistening atmospherics and sparkling sonics optimal for dizzy and delirious club moments. last but certainly not least we turn to the legend who is martin buttrich to twist the original ‘dematerialize feat. justin evan into a more straightforward composition with his signature stylings opening the doors of accessibility to a wider demographic of disc jockeys resulting in a track that stretches the playability to a wide range of disc jockeys

next up in this ongoing split-ep series are two equally talented producers from different ends of the spectrum, both sharing their unique viewpoints on that special dreamspace of self-awareness and how the way there actually sounds like! following his explosive figure-ep just this recent summer, juxta position now reveals his more sublime side on these two technoid journeys. keeping it raw and beautiful, the analogue lover lets his synths engage in dialogue, floating through murky realms and simply getting lost in the groove. a new face for figure and definitely one to watch is pablo mateo. taking a likewise subtle yet distinctly more grounded approach, his tunes unfold slowly and each tell their entirely own storyline. tomo is an extraordinary specimen of how a track grows past its confines, into something genuinely touching and can eventually open up that space inside and what lies beyond!

thirty years ago, british youth culture was changed forever. the summer of love in 1988 saw house music spread like wildfire over the country, with thousands of young people dancing in fields, clubs and any spaces they could find.
one of the tracks that truly encapsulated this magical time was stirling void’s “it’s alright”. originally released on chicago’s seminal label dj international, the spine-chilling lyrics of positivity resonated in the hearts and minds of the acid house generation and are more relevant in today’s climate than ever. to celebrate 30 years since the summer of love, toolroom is proud to present a monumental remix package of this all-time classic, alongside the fully re-mastered original.
first up on remix duties is one of house music’s most intriguing artists. adesse versions has a back catalogue of highly sought-after records, and he’s treated this remix with utmost respect, keeping the track’s essence and identity, but adding a new layer of raw warmth and subliminal melody. next up, house legend dj spen has stepped up to the plate with his own interpretation. his jazzy, soulful keys have added a layer of polish and musicality to the track, which combine beautifully with paris brightledge’s iconic vocals.

brooklyn based, dj monchan, steps up to perform some surgical edit wizardy on four mouth-watering tracks for the ever-dependable razor-n-tape. ‘reaction control’ kicks things off with a joyous disco gem, dj monchan extending and echoing those killer groovers to create a whirlwind of dancefloor delight. next up, ‘dance it all out’ has a touch of the exotic highlife sound to it but reworked into a dj friendly, irresistibly bouncing jam. flip it and it’s back to the late-night nyc soirees of the 70’s with ‘can’t promise’ channelling that pure unadulterated fun into an ethereal edit of magnetic proportions. taking the final slot of rnt042 ‘get down with your love’ closes out proceedings with a silky smooth soulful heater.

limited 2018 repress on smoke blue vinyl.
on the heels of his critically acclaimed debut full-length >bad vibes<, shlohmo embarks deeper into darker realms on his latest venture self-described as night time backyard noises, >vacation< builds on the aesthetic shlohmo established with mixes for fact and fader, in which broken cassette tapes and warped found sounds melded into melodic beats packed with veiled emotion and latent mystery. from >the way u do< verges on r&b pop, to the enigmatic >wen uuu<, which simultaneously pulls at the heartstrings with a quavering vocal sample while churning forward in a passionate, indisputable groove, and the pastoral >rained the whole time<, which takes cues from the ubiquitous burial, this is a poignant set of originals. a stellar cast of remixers: nicholas jaar, teebs, airhead, salva and groundislava, contribute to take >vacation< to the next level.

a much in demand reissue of two of nyc born-and-bred, pal joeys, classics from his joint label with reynald deschamps, loop dloop. first up, party time which harnesses that 90s nyc underground house energy with a rawness that was to emanate through many of pal joeys subsequent productions. scalpel in hand, joey expertly crafted this sample laden groover, his trademark stuttering, off-kilter rhythms, loops and fills keeping listeners on their toes throughout, never knowing how the next phrase might unfold. on the flip, raw love utilises a seminal disco classic as its main sample source, looping it in a way only pal joeys mind knows how, adding percussive hits and extra effects to create an innovative, animated and exhilaratingly rhythmic dancefloor bomb. both tracks are perfect examples of the simplicity and seeming effortlessness that pal joey maintains in his productions, adhering to the mantra that less is more but with a resonating rawness that touches deep down in the soul.

absence seizure marks its tenth release this september, a split package comprising one original from co-founder abe duque and two from label-founder matuss. since its launch back in 2015 the new york city based absence seizure imprint, launched by abe duque and matuss has been a platform for the latters original material and across the past nine releases and picked up support from the likes of young male, sage caswell, dorian paic and eduardo de la calle amongst others. here though we see co-founder abe duque join the part to mark the labels tenth vinyl release alongside label regular julia matuss. matuss steps up with crashing hard a murky, stripped-back number fuelled by choppy bass stabs, minimal percussive bleeps and airy atmospherics . next on the package is abe duques 11-27-2016, a typically raw affair from the new york techno veteran fuelled by squelching 303 lines, robust analogue drums and dreamy arpeggios. the b side features matuss sisabuc fresh closes out the package, stripping things back even further to minute, shuffled percussion, stuttering ethereal chords and permeating sub hits which all flow in unison across its ten minute duration.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.